Green Candle Theatre Company
  • Green Candle Theatre Company
    • Our Mission
    • Board of Directors >
      • Aaron Masi President & Treasurer
      • Connie Coleman Vice President & Artistic Director
      • Alex Dostie Secretary
      • Michael Jordan Evans Member-at-large >
        • Burlington Theatre Lab
      • Dean Dennis Member-at-large
    • History of the Company
  • Tickets!
  • Upcoming Performances
  • Archives & Past Performances
    • Quantum Dog 2017 >
      • Review: Quantum Dog 2017
    • The Question, 2015 >
      • The Question - Seven Days
    • OC@OC: Season 1
    • Sacred + Profane >
      • Sacred and Profane: Jim Lowe, Times Argus
      • Sacred and Profane: Brent Hallenbeck, Burlington Free Press
      • Sacred and Profane: Erik Esckilsen Review
    • the napoleon 2012 >
      • production team bios
      • napoleon concept art
      • napoleon's process
      • napoleonic quotes
      • napoleonic philosophy
    • Concrete Kingdom
    • American Buffalo
    • Flower Duet
    • Wild Geese
    • Rosalee Was Here
    • Art the Father
    • The Nose >
      • Nose Reviews
      • Nose Pic'ings
      • Nose Script
    • Silent Invasion
    • Saucy Jack and the Space Vixens
  • Contact Us
  • Tax-Deductable Donations
    • Donor List
  • Recent Reviews!
    • Seven Days article
    • Seven Days Review of The Napoleon 2012
    • Burlington Free Press Article
    • Burlington Free Press Review of The Napoleon 2012
    • Other reviews
  • Production Blog

Michael Jordan Evans
Member-at-Large/Owner of The Burlington Theatre Lab

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Michael Jordan Evans (Playwright, Director, Founder and Director of the Burlington Theatre Lab) ... has enjoyed a lifelong fascination with the theatre and all things theatrical. Amongst others, he has produced/directed Hugo Beti’s “Goat Island”, Paul Rudnick’s Jeffrey, David Mamet’s Speed The Plow and American Buffalo and Neil Simon’s Fools. Michael’s acting credits include Henry and Richard in separate productions of The Lion in Winter, Tommy in Steve Goldberg’s He Said, She Said, Val in Tennessee William’s Orpheus Descending and earlier this year the intrepid Inspector Atrovsky in Aaron Masis’s brilliantly grotesque adaption of Nikol Gogol’s The Nose.

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