Green Candle Theatre Company
  • Green Candle Theatre Company
    • Our Mission
    • Board of Directors >
      • Aaron Masi President & Treasurer
      • Connie Coleman Vice President & Artistic Director
      • Alex Dostie Secretary
      • Michael Jordan Evans Member-at-large >
        • Burlington Theatre Lab
      • Dean Dennis Member-at-large
    • History of the Company
  • Tickets!
  • Upcoming Performances
  • Archives & Past Performances
    • Quantum Dog 2017 >
      • Review: Quantum Dog 2017
    • The Question, 2015 >
      • The Question - Seven Days
    • OC@OC: Season 1
    • Sacred + Profane >
      • Sacred and Profane: Jim Lowe, Times Argus
      • Sacred and Profane: Brent Hallenbeck, Burlington Free Press
      • Sacred and Profane: Erik Esckilsen Review
    • the napoleon 2012 >
      • production team bios
      • napoleon concept art
      • napoleon's process
      • napoleonic quotes
      • napoleonic philosophy
    • Concrete Kingdom
    • American Buffalo
    • Flower Duet
    • Wild Geese
    • Rosalee Was Here
    • Art the Father
    • The Nose >
      • Nose Reviews
      • Nose Pic'ings
      • Nose Script
    • Silent Invasion
    • Saucy Jack and the Space Vixens
  • Contact Us
  • Tax-Deductable Donations
    • Donor List
  • Recent Reviews!
    • Seven Days article
    • Seven Days Review of The Napoleon 2012
    • Burlington Free Press Article
    • Burlington Free Press Review of The Napoleon 2012
    • Other reviews
  • Production Blog

Aaron Masi
President & Treasurer

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Aaron Masi graduated with honors from the University of Vermont as the Outstanding Senior in Theatre in 1996.  He has a wife, Connie, and two children, Isa and Noah.  His day job is working as a program coordinator and case manager at the bellcate School, where he also moonlights as a Special Olympics coach and coordinator.  Theatre is his passion, and he also enjoys table-top role-playing and basketball.  Aaron is an avid Star Wars fan.  the napoleon 2012 represented the culmination of his theatrical experiences and the continuation of his journey to develop and further implement the theory of hyper-integration: an intentional blending of all the aspects of theatre.  The next few plays on his agenda: Wiley and the Hairy Man, Monkey Love (original), The Pirate Play (original), Judo: The Musical (original), and The Master and the Margarita.

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